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Aurum has pick [url=https://www.cup-stanley-cup.ca]stanley cup[/url] ed up Spanish rights to Asger Leths thriller Man On A Ledge, starring Ed Harris, Sam Worthington and Jamie Bell, and Heitor Dhalias thriller Gone, starring Amanda Seyfried.Aurum picked up Man On A Ledge from Summit and Gone from L [url=https://www.stanleywebsite.us]stanley cup[/url] akeshore International and Sierra/Affinity.Man On A Ledge stars Sam Worthington as an ex-cop turned fugitive who stands on the edge of a high rise building in Manhattan, while an NYPD hostage negotiator played by Elizabeth Banks tries to talk him down. Ed Harris also stars.Currently in post, the film is based on a script by Pablo Fenjves, Erich Hoeber and Jon Hoeber, and is backed by Summit and Di Bonaventura Pictures.Based on a script by Allison Burnett, Gone is about a kidnap survivor who sets off to find the same serial killer whom she believes has now abducted her sister.Production on the film is scheduled to commence in April withLakeshores Tom Rosenberg and Gary Lucchesi producing, alongside Sidney Kimmel Entertainment, Chris Salvaterra and Dan Abrams.TopicsDealsEFMEuropeSales No comments Related articles News Luxbox takes on internation [url=https://www.stanleymugs.us]stanley cup[/url] al sales to Radu Judes offbeat comedy drama Dracula 2025-05-07T13:12:00Z Xmrf Constantin on the Edge with Applebaum
Jeremy Kay talks to the head of TIFFs Midnight Madness strand ahead of its 25th anniversary.The Toronto International Film Festivals Midnight Madness celebrates its 25th anniversary next month.Nobody embodies its spirit of maniac [url=https://www.stanleycup.pl]stanley kubek[/url] al passion as perfectly as programmer Colin Geddes, the flame-haired master of ceremonies who has presided over many a raucous night at the Ryerson Theatre.Geddes, who also programmes for TIFF Docs and Vanguard, talks to Jeremy Kay about thrills and chills, keeping audiences on their toes鈥?and the code of Madness.What is the essence [url=https://www.stanley-cups.es]stanley cup[/url] of Midnight Madness Theres a misconception that the programme is all horror and gore and blood but I have to remind people that we had the world premiere of Borat. Its a very eclectic selection of stuff thats magical and pops and works at Midnight.Its a programme thats oft imitated but never duplicated. We have had unique, singular curatorial visions. It isnt programmed by a committee. Before me it was Noah Co [url=https://www.stanley-cup.us]stanley cup[/url] wan. I was an audience member at TIFF from 1988-97 so I have been in the audiences and I have seen what the audience likes.What is your goal For many people this is their second, third, fourth or even fifth film of the day, so its my job to wake them up. The film has to deliver some new twist, something thats going to excite them in the first 15 minutes and carry them on until 1.30 or 2 in the morning. If its a slow-burner, thats not going to work.My audience needs are a little bloodthirsty and we need to we need to b
