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On the eve of this years CineAsia in Hong Kong Dec 8-10 , Liz Shackleton asks if the imminent relea [url=https://www.stanley-cup.com.es]stanley spain[/url] se of 20th Century Foxs epic Avatar can jumpstart the rollout of 3D in Asia and help stem the tide of piracyAs a region with a young population which is open to new technology, 3D should in theory be a slam dunk in Asia. And as the region also has high levels of piracy, the fact the 3D experience cannot be camcorded is expected to give the format additional appeal.But the reality has been much more complex than that. There is no doubt Asian consumers are attracted to the format, but the installation of 3D sys [url=https://www.stanleycup.com.es]stanley cup[/url] tems relies on the rollout of digital cinema, and several factors are hinderin [url=https://www.stanleycup.it]stanley borraccia[/url] g that process in Asia. The piracy argument also loses some of its clout in a region where a large proportion of the audience cannot afford the higher 3D ticket prices.Limited 3D screensOn the upside, this years slate of 3D releases - including Ice Age 3, Up and Final Destination - have performed well in many territories, encouraging exhibitors to accelerate the installation of 3D systems. If you look at box office per screen, 3D is outperforming 2D releases of the same film by a multiple of two to three, says Rance Pow, president of theatrical consultancy Artisan Gateway.Exhibitors have also been ramping up in anticipation of the December release of James Camerons Avatar. Fox is releasing the film in most Asian territories, including India on December 18, Japan on December 23 and China at the b